Braun & Hogenberg's Civitates Orbis Terrarum or "Cities of the World" was published between 1572 and 1617. Within the six volumes, 531 towns and cities were depicted on 363 plates, providing the reader with the pleasures of travel without the attendant discomforts. Braun wrote in the preface to the third book, "What could be more pleasant than, in one's own home far from all danger, to gaze in these books at the universal form of the earth . . . adorned with the splendor of cities and fortresses and, by looking at pictures and reading the texts accompanying them, to acquire knowledge which could scarcely be had but by long and difficult journeys?" Braun and Hogenberg incorporated an astonishing wealth of information into each scene beyond the city layout and important buildings. The plates provide an impression of the economy and prominent occupations, and illustrate local costumes, manners and customs.

This interesting engraving focuses on the people and importance of the province of Biscay. The central view shows the commercial and pilgrimage route (El Camino de Santiago or Way of St. James) through the St. Adrian Tunnel, as drawn by Georg Hoefnagel in 1567. This route through the Pyrenees, linking France and Spain, was heavily used from the 15th to the 18th century. Inside the tunnel is the inn for pilgrims that was built in the 16th century. The view is flanked by full-length portraits of Biscayan nobility; at left a matron and at right a maiden. Below, several figures display the various costumes and occupations of the Basque people; Biscayan peasants on the way to market, Biscayan and Cascon girls, an Aquitaine woman, Biscayan and Cascon matrons from Bayonne, and women on their way to church in Bayonne. The Latin title on verso is Mons et Crypta S. Adriani in Biscaia.

References: Fussel, p. 366.

Condition: B+

Attractive color with minor toning along centerfold and a professionally repaired centerfold separation that enter 1" into image at top. There are a couple of short tears in the blank margins that have been closed on verso with archival tape, one of which just enters image at top left.