This leaf is from the brief transitional period when the new technology of printing with movable type was combined with the more labor intensive methods of hand painting. The earliest printers were trained in the manuscript tradition and incorporated the conventions of historiated initials and illustrations into their early work. At first they left those spaces blank for the illuminator to complete entirely by hand. Later they developed printing methods (using woodcuts or iron engravings) to decorate the leaves.

Superb vellum leaf from this important transitional period when books began to be printed from movable type, decorated with metal-cut illustrations and combined with hand-painted illuminated initials. It is printed on vellum in black and red with many initials hand painted in red, blue and gold. The ornamental border depicts scenes from the Old and New Testament with captions in red. The captions on the recto begin with Luke 1:39 (And Mary rising up in those days, went into the hill country with haste into a city of Juda). On the verso is a depiction of the Nativity with a verse from Luke 2:7 (And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger).

Thielman Kerver was a printer in Paris, who worked "in vico sancti Iacobi ad signum Vnicornis & ibidem venales habent" (in Saint Jacob's lane under the sign of the Unicorn where they are also for sale). He began printing Books of Hours in 1497 and continued until his death in 1522. His widow, Iolande Bonhomme, took over the firm, and continued to produce liturgical books until 1556. Kerver's work is much less common than that of his colleagues, Simon Vostre and the Hardouins.

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Condition: B+

Light soiling with an old vellum repair on recto to a chip in top left corner.