Visscher's magnificent large map is regarded as the foundation for highly decorative Dutch world maps produced throughout the remainder of the 17th century. The twin hemispheres are surrounded by dramatic scenes drawn by Nicolas Berchem, whose imprint appears in the water at bottom left. These superb engravings are allegorical representations of Fire, Air, Water and Earth: the abduction of Persephone by Hades, Zeus being carried across the heavens in an eagle-drawn chariot, Poseidon commanding his entourage, and Demeter receiving the fruits of the Earth. Inset between the cusps are smaller polar projections and putti. Geographically the map is based on Blaeu's large world map of 1648 with minor variations in the island of California shown here with a flat northern coast, and Anian appearing adjacent to a strait leading within striking distance of the western shores of Hudson Bay. In China, stippling is used for the first time in a general map to denote a desert, Xamo Desertum, just west of the Great Wall. The map appeared in Jansson's Novus Atlas in 1658 and was used in several later atlases both by Jansson and Visscher, all in this unchanged state.

References: Shirley #406.

Condition: B+

A sharp impression on a lightly toned sheet with minor foxing and a couple of light stains in the north polar projection. There are professional repairs to some edge tears, a few of which enter up to 1" into the image.